#22. Ayano Kimura, Professional Ballet Dancer

→Full Interview in Japanese

An interview with Ayano Kimura, ballet dancer with The Washington Ballet, about her love–hate relationship with learning English, her experiences in Italy, and how she finds the motivation to keep going when she feels like giving up.

木村 綾乃 Ayano Kimura

Born in Kyoto, Ayano Kimura began studying ballet at the age of nine. At fifteen, she moved alone to Milan, Italy, where she studied for two years and was named the top graduate of her class. She was also selected to perform in the opening ceremony of the Winter Olympics in Turin.

Before studying abroad, she had already won top prizes at international competitions in New York and numerous national competitions in Japan, also receiving the Tokai Television Award. In 2011, she joined The Washington Ballet. At the 2017 Benois de la Danse gala performance—often called the “Academy Awards of ballet”—she partnered with a nominee on the Bolshoi Theatre stage, earning coverage in Russian newspapers. With the company, she has danced mainly principal and soloist roles, including Juliet in Romeo and Juliet and Princess Aurora in The Sleeping Beauty, performances at the Kennedy Center that were highly acclaimed. She also appears frequently as a guest artist throughout Japan, the United States, and Europe.

More recently, she has expanded her activities to teaching, training young dancers at The Washington School of Ballet. Her career and experiences have been featured in outlets such as Kyodo News, Yahoo! News, and Livedoor News.

The Washington Ballet
Interview in Kyodo News

 

Early Life and Ballet Beginnings

 
Ayano was born in Hamburg, Germany, but returned to Kyoto, Japan, before turning one. She began ballet at around age 10. At 15, she won a scholarship at an international ballet competition, which led her to study for two years at the prestigious La Scala Theatre Ballet School in Milan, Italy. After returning to Japan, she participated in the same competition again and earned another scholarship, this time to a school in Washington, D.C. She then auditioned for several companies and joined the Washington Ballet, where she has been a professional dancer for ten years.

 

Exposure to English from an Early Age

 
Ayano was exposed to English at home through her parents and early study materials from Kumon, which her mother, a Kumon teacher, provided. From ages three to four, she began learning English through writing and listening exercises. She found English enjoyable and engaging, unlike subjects like math, and naturally connected words she learned with objects and experiences around her. Early encounters with native speakers in the Kumon classroom also made the learning process exciting.

 

Balancing “Fun English” and Exam English

 
Although Ayano loved learning English naturally, formal testing (such as Eiken) felt forced and stressful. She passed lower levels of English proficiency exams at ages four to five but viewed them more as a relief and checkpoint than an achievement. She distinguishes between learning English for enjoyment—speaking freely, understanding context—and learning for exams, which requires strict adherence to grammar and rules.

 

Struggles with High School English

 
Ayano recalls enjoying junior high English because she already knew much of the material, which gave her confidence. However, in high school, the grammar rules became stricter and the vocabulary more difficult. She preferred speaking English for fun rather than following rigid rules, so she struggled and might have grown to dislike English had she stayed in Japan.

 

Choosing Ballet Over Studies

 
At first, Ayano aimed to balance academics and ballet, believing she would eventually reduce her ballet activities. However, when she unexpectedly received a scholarship in her first year of high school, she decided to pursue ballet more seriously. Before then, she had not planned to make ballet her main path, especially since competitions didn’t always bring results. The scholarship became a turning point.

 

Ballet as a Gateway to Foreign Languages

 
Through international competitions and lessons from foreign teachers, Ayano naturally used English. Ballet terminology draws from multiple languages, but English functions as the common medium. Although conversations were usually brief, these experiences made her realize that English could be enjoyable, especially when gestures and shared effort bridged communication gaps.

 

First Encounter with Italian

 
Before moving to Italy, Ayano studied basic Italian for six months, focusing first on vocabulary. She noticed similarities with English, which made learning enjoyable. However, once in Italy, she faced homesickness and frustration. Despite her preparation, she couldn’t speak fluently, and for about a month she barely used Italian. She felt conflicted, as ballet—not language study—was her true purpose in going abroad.

 

Relearning from the Basics

 
Encouraged by supportive Italian friends and roommates, Ayano decided to restart her studies from scratch. This time, she could immediately apply what she learned in real-life situations, which brought quick results. Positive feedback from peers motivated her, and soon she was communicating effectively. She came to see the importance of using the environment to her advantage and not isolating herself.

 

Lessons Taken to America

 
Ayano later studied in the U.S., carrying with her the lesson from Italy: when stuck, return to the basics. English was easier for her since she had studied it for years. While she sometimes struggled with fast native speech, she focused on catching familiar words and building meaning from them rather than aiming for perfect comprehension.

 

Learning to Be Flexible

 
Ayano emphasizes that trying to understand everything at once only causes stress. Instead, learners should set small goals, allow themselves breaks, and avoid unnecessary pressure. She sometimes decided to take an entire day off from language study, knowing she could return to it later. This flexibility helped her stay motivated.

 

Final Advice for Learners

 
Ayano advises learners not to force themselves into perfection, but to accept partial understanding and trust that progress accumulates over time. Resting, returning to the basics, and keeping a positive mindset are key strategies. For her, this approach applies not only to language learning but also to hobbies and sports.

2 Replies to “#22. Ayano Kimura, Professional Ballet Dancer”

  1. Thanks for posting this. I’ve taken Spanish and German classes but can’t speak or read either one now. Your advice will help with my return to Spanish that I could have used last night at the Hispanic Heritage Awards.
    Maybe you can help me with Japanese?

    1. I really appreciate your message. I’m so glad if my post can support your Spanish learning journey. The Hispanic Heritage Awards sound wonderful! I’d be happy to share some tips for learning Japanese too:)

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